I have a little post-election political hangover. It's going to keep me from putting up any political posts for a good long time ... maybe 24 hours or so (grin). It's not a full-blown 6-tequila-shot-hangover. Perhaps a 6-beer-on-an-empty-stomach-hangover.
Anyway, to completely change the tone for a bit, I'm going to post my top 10 favorite albums of all time (OK ... 11. I couldn't cut it down any further) and I expect you guys to, at the least, skewer or complement my list. Ideally, you would also post your own either here or on your own blogs. No "Best Of's" allowed ... except maybe
Legend by Bob Marley.
I'm going to do this in descending order so that I can force you to read them all or to be a ninny and skip to the last (for those people that read the last page of the book first).










11.
Disintegration --
The CureIn a word, it's the "atmosphere" of this album. While a lot of the lyrics are upbeat, the feel of the album is very consistently dark. The signature Cure guitar sound permeates it. Highlights for me are
Pictures of You and
Lovesong.
10.
Taking the Long Way --
Dixie ChicksThis is a recent addition to my list. I've always been a fan of the Dixie Chicks for their music. I think Natalie Maines has one of the best voices in country music (2nd only to Allison Krauss for me). But with this album, they took it to the next level because of the political content. Writing or co-writing all the tracks on the album, these songs are teeming with the angst of the last few years. Obviously,
Not Ready to Make Nice is a highlight but it is by no means the only one with biting content. Upbeat defiance would be the most apt description for most of these songs. We are going to see them in concert tonight and will also see
Shut Up and Sing in the next few days. Reviews of both will be upcoming.
9.
Vol 3: The Subliminal Verses --
SlipknotThis album is very evocative of another album higher on my list, Angel Dust by FNM. A 9 piece heavy metal band from my home state, Iowa, Slipknot had two previous albums that showed promise but that had major problems with tone and dynamics. They were basically one note albums that went at 100 mph from the get go. With this album, the band sat down with producer extraordinaire Rick Rubin (also the producer of the Dixie Chicks album on this list) and came out with a great album. Not confining themselves to the normal constraints of the genre, they allowed songs to be slower or longer when necessary. Other songs would show up early in the album and then have a reprise later. With this album, they escaped from the banner of being a gimmick masked band. My favorite songs are
Before I Forget and
The Nameless.
8.
Jar of Flies --
Alice in ChainsJust an EP, this album was recorded in a week. It is the only EP to ever have been #1 on the Billboard Album charts. It is largely low-key and acoustic but it shows the strength of the band: Layne Staley's haunting vocals and the vocals and guitar work of Jerry Cantrell.
I Stay Away is a highlight.
7.
Angel Dust --
Faith No MoreFaith No More were like chameleons during their career and this album is the perfect example of that with songs ranging from metal to funk to avant garde. Most people remember their big album (The Real Thing) but this album is much better, combining jazz, classical, rock in a crazy mix. Outstanding songs were
A Small Victory and
Midlife Crisis.
6.
Rage Against the Machine --
Rage Against the MachineThe perfect synthesis of musical angst and political commentary. I don't believe any band has done a better job of combining the two. It ranges in subject matter from racism in law enforcement to Native Americans to government control of media. Even if you didn't agree with their politics, it would be hard to deny the power of the music. But with me, since I did agree with them, it was that much more profound. The best songs are
Killing in the Name and
Freedom.
5.
Ten --
Pearl JamI believe that Pearl Jam was the best band to come out of Seattle in the early 90's and their first album is probably their best. Along with Nirvana's Nevermind, they effectively killed the late 80's hair metal revolution ... thank god. Because they refused to do videos and rarely did interviews after this album, many people assume they disappeared but they have been going strong ever since. Singer Eddie Vedder cited the fact that they didn't want to influence people's views of what each song meant and didn't want to project their own feelings on to the listener. The music was and always should be the focus.
Black is my favorite track on this album. Vedder's lyrics are typically very poetic.
4.
... And Justice for All --
MetallicaThis album jarred a shy nerdy high-school kid out of his fondness for new wave and pop music. An unblinking, dry and angry album, it opened a new world of music to me that would culminate in me eventually liking bands like Ministry, Skinny Puppy and Godflesh. That wouldn't have happened without this first step. And Justice for All addresses subjects like war, the environment, freedom and suicide. My favorite track is
Dyer's Eve.
3.
Nothing's Shocking --
Jane's AddictionBrilliant and absolutely original. Nothing before or since as sounded like Jane's Addiction. Combining funk, metal and an arthouse feel, this album has no filler. It is solid from top to bottom.
Jane Says and
Mountain Song are my favorite tracks.
2.
So --
Peter GabrielA haunting beautiful album with production from U2 producer Daniel Lanois. We all remember
In Your Eyes from
Say Anything but this album is all great. Oddly, probably the biggest single,
Sledgehammer, is my least favorite. The guest artists on the album were incredible and lent their help to two of the best songs, Kate Bush on
Don't Give Up and Yossou N'Dour on
In Your Eyes.
1.
Synchronicity --
The PoliceThis has always consistently been my favorite album and the Police my favorite band. They (and this album) were the perfect mixture of reggae, punk, literature and philosophy. On what other pop album would have references to
Carl Jung, Loch Ness and Greek mythology? Highlights for me were
King of Pain and
Synchronicity II.